TRANS - STOP HOMOPH ART

STOP HOMOPH ART
ARTISTIC MOVEMENT
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''TRANS''
Work of art dedicated to TRANSGENDER people.

The artist Raffaele Ciotola embraces with great solidarity the transgender condition and manifests it by creating a work of art. For this painting he chooses Vladimir Luxuria to immortalize her for the tenacity and courage that she has always shown in fighting on the front line for the rights of the community ''LGBT''. Why Vladimir on the cross? The cross represents all the discriminations that transgender people have had to suffer unjustly and that unfortunately still live today because of the homophobia generated by ignorance.
The painter R.Ciotola represents this character who smiles; why does she smile? It is not a provocation, but a clear message to the whole LGBT community to walk head-on with a smile on their lips without ever abandoning this battlefield to which life unfortunately still subjects them today. She smiles to spur on the new generations and to instill in them the same determination that she has always shown us. A clear message of love that incites us to support our cross with strength and courage. Eachone of us support one cross, the important thing is never losing our freedom.




The artist Raffaele Ciotola  was born in Naples on the 17th of October 1964. His loving and receptive  family promoted his studies and supported supporting his artistic  nature. He obtained the Artistic High School School graduation and got  the Master of Arts degree at the state institute of Arts "F.Palizzi" in  Naples in 1983. Since he was a boy he has been devoting his life to  painting in a professional manner; after his debut in 1980 at an  exhibition in his hometown, he kept on taking part in other collective  and personal exhibitions set up in several Italian cities until 2002  (Piano di Sorrento, St. Anne in Naples, Milano, Viterbo, Milan). He was  awarded the gold medal at the National Biennial of Sacred Art in Torre  del Greco in 1980 by prof. Mr Franco Girosi, a famous Neaolitan artist  of the last century. It was foundamental for his training, the meetings  with prof. Mr Franco Girosi and with Mr Luigi Signore, an artist known  as one of the best sculptors of cribs in Italy today. He studied music  and attended the voice class at the Conservatory of Naples, but the  meeting he had in Rome in 1987 with Master Mr Renato Guelfi, opera  singer and painter, was so crucial to his professional growth that he  started performing as a singer in some Italian theatres (Lecce, Santa  Maria di Leuca, Ronciglione, Villa Pignatelli in Naples). He got to  obtained some rewards such as: the gold medal in "La Triade" Prize,  Palazzo Sormani - Sala del Grechetto - Milano; the diploma of honor at  St. Anastasia, Naples. His personal exhibition in Tuscia dates back to  2002 , in this occasion he exhibited for the first time at the Sala  Anselmi in Viterbo. His painting style and production are  characterized by an intense use of colours and by the chiaroscuro  effects conveying a whole creative freedom and a boundless vital energy,  without hiding any strong and eloquent emotion, leaving the viewer a  hope, a light , the one that leads beyond any solitude and that blurs  roles and social conventions. In fact, from the late 90s, his work is  more focused on topical issues and feels the effect of his civil  commitment against homophobia and discriminatory behaviors, so it became  a vehicle to spread some nonconformist messages, even inspired by  universal ethical values. In 2003 he created the artistic movement  called "Stop Homoph Art" which aims to spread the culture of respect and  fight against homophobia. From this battle, "The Madonna of the  homosexuals" came to life, it became the emblematic work of his  production and will be exhibited for the first time in the foyer of the  Mercadante Theater in Naples on the 18th of October 2014. So his  landscapes and his dreamlike hermetic metaphysical views of the first  period, they have been gradually replaced by works full of reflection  and judgment which are well received by public and by critics,  attracting the attention of Mr Jean-Louis Cougnon, Chief Excecutive at  General Managment of European Parliament.





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